El Cine Negro: When film noir went Latino

Flickin' out

Today, September 15th kicks off Hispanic Heritage Month (although this Latina celebrates her ethnicity every day 🙂 ) and my heart is full by seeing so much content spread across the internet in honor of Latinos. A topic I’ve been trying to write about but haven’t had the time to discuss is the contributions of Hispanics and Latin American countries and filmmakers present in film noir.

borderincidentAnthony Mann’s Border Incident (1949)

During this TCM’s ‘Into the Darkness‘ film noir course, a recurring theme I noticed was Latin American settings. As you may be aware, films noir take place in urban settings. Alleys, bars, tiny apartments, and New York City are just some of the signature elements present as the background of a film noir. During the film noir movement in the 1940’s, American cinema went away from New York City to more exotic locales such as Argentina in Gilda (1946) and…

View original post 773 more words

Advertisements